Preparations

November 24th, 2009 | benjamin

A quick update on what I’m doing. So, yes, I spend a couple of hours each afternoon pouring over the G2 (where I will be doing work experience next month), taking notes about content and style and even attempting to execute my own articles according to their style.

I spend the rest of my time reading other relevant publications, news outlets, blogs, tweets etc in the hope that all of the knowledge I’ve gained will rapidly assemble into some kind of genius come December 7th.

Does anyone have any suggestions for what else I might do to unite body and mind into Guardian-news-supplementary-unity?

Away for a bit

November 18th, 2009 | benjamin

As you may know, I have been pursuing an internship at a small number of media outlets in the United Kingdom. And, my ambitions have been realised. I am intensely excited that I will be an intern at The Guardian for a week this December.

Yes!

I will be with the marvelous G2 section.

So, for the time being, I’m preparing for this thrilling endeavour.

In defence of attacks on Jan Moir

October 24th, 2009 | benjamin

FleetStreetBlues is an irreplaceable resource for freelance/unemployed journalists and writers in the UK.

Which is why I found its defence of Jan Moir’s Stephen Gately column bizarre.

In her piece, Moir revels in her completely unconcealed disgust at sex between two or more men.

FSB suggests that, in fact, such an interpretation of the piece might be confined to ‘university-educated, liberal-leaning journalists’ and therefore implies that the UK public at large endorses Moir’s perspective.

This underwrites the basis of the post, as far I can understand it. FSB seems to be suggesting that because The Daily Mail – the newspaper which published the column – represents and indulges the views of a large numbers of people in the UK, we should think twice before criticising the hateful things that it says:

The Daily Mail is a great paper, because its every article is written single-mindedly for the benefit of its readers. Not its journalists.

A perverse, incomprehensible, and irrelevant argument.

BOYZONE 4EVA!

A god-given right?

October 14th, 2009 | benjamin

At the moment I’m blogging and publishing articles on a number of established news and journal websites such as ‘A god-given right?‘ on The Razor. I will collect these works here and continue to publish odd things here (and there).

ican’tfuckingbelieveit2.0

October 1st, 2009 | benjamin

Sometimes distance sharpens the lens. But the extent to which the Australian media have been captured by the interests of Kraft, the american multinational, is astounding, and mirth-making.

http://www.smh.com.au/national/i-believed-in-isnack-20-creator-laments-vegemite-dumping-20091001-gdod.html

This was the lead story on all Fairfax news websites this morning, ahead of the Sumatran earthquake which killed thousands.

Applying tactics that they first polished with their ‘what kind of vegemite eater are you?’ campaign (or something equally inane), Kraft have now convinced the media that the naming competition for one of their products is worth reporting. The true genius lies, however, in the so-called ‘scandal’ around the name that was chosen as a consequence of the competition. This clever manoeuvre allows those editors with some residual pride and professionalism to report on the promotion without being seen to rely on press releases and PR guff from Kraft.

With cajoling from Kraft marketing, the amount of chatter around the promotion has reached a critical mass, so that journalists can consult the public sphere in order to produce the reports, rather than rely on press releases from Kraft.

The cynical geniuses at Kraft have even gone so far as to affect shock at what has transpired, as though the ‘scandal’ were somehow against their interests, as though this were a news event that transcends them.

These so-called professionals are (wilfully?) oblivious to the role they play in promoting Kraft’s products, regardless of whether we like the facile name for their facile product.

Remembering the moonwalker

July 13th, 2009 | benjamin

Jackson was a man who symbolised glamour to every ten year old whose world was bordered by splinter riven fences and whose stage was a yellowing lawn under a blue sky.

There was sun in my eyes as we passed through the automatic doors at a concrete box shopping centre at surfer’s paradise. My brother and I understood that mum would buy us both a cassette. I was giddy. At the age of seven the only cassettes that made up my collection were juvenile: Peter Coomb and things with names like The Jellybean Jar. This was my first venture into popular culture.

Reflecting enduring divides in white fancies for black music, I purchased Dangerous while Josh settled on Prince’s Purple Rain. I remember that the cover seemed like an incandescent whole rather than a set of elements. I can evoke only its aura in my mind, not the detail. And I remember the hiss of my cassette walkman more clearly than the music itself.

Some days later, my brother gently asked and then vigorously demanded that we swap Dangerous for Purple Rainthe tapes. But I resisted. I think that this was for me a formative event in the emergence of an independent psyche.

For many years he remained a figure of intense fascination. So intense was our attachment that I can still remember the pain I felt as the Jackson myth slowly capsized as the weight of rumour gradually convinced even the most hardened twelve year old Jackson fan that there was some truth to the claims that he was having sexual relations with children, that through plastic surgery Jackson was trying to assimilate the appearance of a white man, that he slept in an isolation chamber…

He became a figure of ridicule, emerging into our awareness now and then through yet another sleazy crisis. As we became adults we cared less and less about him, until he was revived for boozy, rowdy house parties, a convergence of pop tastes with the sensibilities of the musical sophisticate, pretentious twenty year olds dancing alongside their cruder companions in harmony.

So I was sad when he died, not so much because I am touched by the emotional intensity of the celebrity cult, but for the spotlight each song shines on disparate fragments of my past.

The Great Writing Work Day

June 2nd, 2009 | benjamin

Monique and I saw the Alan Berliner documentary Wide Awake at the Istanbul Modern on Sunday. In the film, Berliner struggles to understand the nature of Insomnia, both in general and his own nightly struggles to get to sleep.

What I found most compelling about the documentary was Berliner’s ambivalence to this condition, or lifestyle, in so far as despite the torturous drowsiness during the day, he found he was most productive in the night. In fact, he even seemed to feel that the fact that he spent his nights cutting his films might have given him an artistic edge – not simply because of these few extra hours that amount to years over the course of a lifetime, but because the brain works differently, is stimultaed differently at these hours.

I’m not prepared to give up what I feel is a gift. My body and I cooperate over the amount of sleep I get. If I need to push it a little bit, go without some for a night or so, it plays along,  so long as I make up for it later. And becaue I like to get things done, we’ve agreed that seven hours per night, slightly less than ‘ideal’, suits my body’s self restorative designs and my own priority. The best part is, when I decide its time to snooze – bang – I’m asleep, no frustrating tossing and turning.

And yet, if I am to be the successful writer that I think I might some day be, I need an edge. I really need t movoe this thing out of mere fancy and into the realm of passion. At the moment, I can usually manage four hours in a day at best. It got me thinking, what if I could do, eight, or ten, or twelve hours in a day when I decided to? And what would the work be like without all the extraneous considerations by which we mark the day?

So here’s what I’m going to do. Today, I’m shooting for ten hours of work. Ten hours. No excuses, no four hours and then I’m going to the movies. No. Simply ten hours of work.

Let’s review my sustenance kit:

CoffeeCoffee. I’ll drink one of these every two hours. Its a stimulant and I’m not going to be ashamed of it any more. Not now that I’ve read My Name is Red and divined that one of the writers I admire the most relishes caffeine’s illuminatory charms.

Sesame BallsSesame balls. A nutritious snack that became my guilty pressure during my ten glorious days at the Sivananda Ashram. Also comprised of Jaggery, and sometimes ginger God, we were so pure at that place that eating these things was like taking smack.

Philip Glass in earPhilip Glass. I’ll probably listen to Einstein on the Beach, because it is good, and it is long. I need to listen to classical music, usually twentieth century piano concertos and often symphonies. I find that I write along the contours of the music to places I would not otherwise delve.

So, for the record, I’m going to write like I’ve never written before. I’m going to write fiction until my fingers bleed, and when I can’t write fiction any more, I’ll work on some of my lifestyle articles, and when I can’t do that anymore, I’ll email people to organise interviews, and when I tire of that, I’ll write more fiction, and when I can’t even manage that, I’ll type passages out of the novels that I’m reading, just to prove that it can be done, that time is not my enemy, but my friend.

I’ll keep you updated, it is now:

10:06: Making some coffee, starting work on my novella Dead Flowers. Technically, I’ve been writing already for 20 minutes, if you include this blog which started at 9:45. 9 hours, 40 minutes to go.

10:23: Still haven’t made coffee. Made some minor adjustments to my bio. That counts as writing, right?

10:48: Got the coffee by my side and I’m ready to roll. Fire up Philip Glass.

11:45: Philip Glass doing the trick. Have the urge to call my grandmother who is sick in hospital, but then, we all have to suffer for the sake of art, even those not making the art themselves.

Urge to look at Facebook ignored.

12:45: Two hours of solid fiction. Philip Glass became distracting, switched to Rachmaninoff. Heading out for lunch now.

14:30: Lunch was delicious.

16:30: Spent two hours researching interview subjects for a couple of articles I am writing (ie finding emails etc). Not technically writing, but work nonetheless, and work I normally avoid. Looked at Facebook. ‘Networked’ with some people.

I will now spend following three hours writing fiction.

18:00: I didn’t really get cracking until 17:15, because I spilt coffee down the front of my vest and decided to handwash it and some clothes. But the last 45 minutes were productive.

19:00 Conked out. Consuming beer and KurKure with Monique.

In total, seven hours of work, although probably only three or four hours of solid writing.

Certainly, the role of caffeine cannot be undersold when it comes to my writing. Riding these highs, I delved into short bursts of mania from which I garnered little shards of brilliance.

The greatest obstacle was the Internet, where legitimate research very quickly crossed a grey line into procrastination.

Not a bad start, but do I have an edge?

Running on the horizon

June 1st, 2009 | benjamin

self against horizonWhile running the length of the Bosphorus River on the Asian bank of Istanbul, I listened to a discussion on art, living, and death on Late Night Live.
The guests were psychoanalysts who were speaking at the Freud Conference in Melbourne and they introduced an electrifying concept called ‘Creative Living’.
This concept starts with the familiar Freudian insight that there are dimensions to our actions that escape our awareness. It also encompasses the more obscure concept of the Unheimliche, or when rendered in english, the Uncanny. Literally speaking, the Unheimliche is that which we aer not at home with, that which is strange to us, that which makes us uncomfortable for example or arouse our hatred and loathing. By tracing an etymology of the world Freud discovered that the various meanings of and associations with the Unheimliche gradually merge with those of the direct opposite of the word, the Heimliche, the familiar. The point is that that which utterly disturbs must have some kind of hidden life within us.
The analysts partly divined the practice of ‘Creative Living’ from artists that they had treated. To live a Creative Life is to continually confront these mysteries about the self, not to pin them down so as to uncover and absolute and final truth, but the opposite, to allow the self to continually grow and change through navigating the uncomfortable limits of our awareness.
It excited me because it seems to liberate psychoanalysis from what Michel Foucault identifies as its oppressive traits. Foucault identified a set of discursive practices that had emerged in late antiquity and continued through Christian ascetic practices and beyond into the Victorian ‘repression’ of sexuality and nineteenth and twentieth century psychology. What unites all of these different accounts of the human being is that there appears something like a ‘self’, and this self has a ‘true nature’ which is often characterised as sinful, errant or pathological. Finally, these errors can be corrected through the application of certain techniques through an authority or specialist of some kind.
Whereas the psychoanalyst may genuinely believe that she liberating human beings by bringing them in touch with their ‘true’ nature, Foucault feels that psychoanalysts were oppressing their patients when they scrutinised the minutia of their thoughts to find the ‘truth’ of their sexual desires.
Foucault instead looks to the philosophers of Ancient Greece and Rome. From these writers he discovers a kind of asceticism, a way of regulating one’s behaviour and pursuing a virtuous life that did not require the uncovering of a ‘truth’ about the self. For many of the ancients, this is achieved through a process called ‘Self Writing’ in which one kept journals to reflect on one’s own actions and possibly to modify them.
It seems to me that there is a lot of overlap between Creative Living and Self Writing. The analysts on Late Night Live were suggesting that when we keep the past alive and confront that which disturbs us, such as our own deaths for instance, by seeking the limits of our self understanding, we have an opportunity to remake the self again and again.
As such, the Freud’s concept of the self—as a puzzling stranger whose inner motivations can only be interpreted by an analyst—is transformd into a style of life that frees the individual to continually grow and change. I feel electrified by this possible being wandering soundlessly just over the edge of this horizon.

A vacation from which we might never return

May 29th, 2009 | benjamin

Before I begin, I would like to emphasise that I have based the following on just over one week at the Sivananda Ashram in addition to a very light reading of material on Hinduism. What I say below reflects only this experience and should not be taken as an attack on Yoga as a whole, let alone Hinduism.

***

Children spelling Y-O-G-AWe arrived at the Sivananda Ashram on an auspicious evening, the anniversary of the death of its founder, Swami Sivananda (or was it his birth? Surely I can be permitted some slippage) and after a brief meal we found ourselves locked in a chanting session, scattering rose petals and dust and uttering syllables that bore no meaning for us.
Returning to our room Monique declared that we would leave immediately. I on the other hand acknowledged that the place had its eccentricities, but suggested she was being too quick to judge. When this failed to alter her disposition, I sulked that I had always wanted to learn yoga and would never have such an opportunity again.
She agreed to give it three more days.
As we settled into our separate twin beds, we had to remind ourselves of why we had voluntarily submitted to the edicts of a religious compound. In fact this journey to the Keralan countryside had begun over a month previous, and many thousands of kilometres away at the Tiger Leaping Gorge, a popular trekking spot in south-western China. There we had met a charming English couple who enthused over the Ashram, and the virtuous yoga it promotes.
The Sivananda Ashram was founded many years ago by Swami Vishnu-devananda, a devotee of the Swami Sivananda, a well-known yogic authority who is revered by thousands today.
Swami Vishnudevananda and his followers articulated a particular form of yogic practice which they felt would be attractive in the West. Judging westerners to be obsessed with physical health, this Yoga emphasised its physical dimensions, that is, all the twisting, bending, holding, stretching that pops into the minds of most Westerners when they hear the word ‘Yoga’. Beneath the surface of this physical practice lies the barely discernible bones of a Hindu cosmology that only becomes visible the more one embraces the Sivananda institution.
Our English friends had advised that we undertake the ‘Yoga Vacation’ course, a title which is particularly nuanced. The Ashram is not a resort. If you wish to stay at the Ashram, then you need to commit to activities totalling more than ten hours per day, including four hours of chanting and meditation, four hours of physical yoga and two hours of lectures. On the second day we were told that ‘Yoga Vacation’ is a vacation from ourselves, from responsibility from ours own needs, from life’s patterns and routines, from being enmeshed in the worldliness that we must overcome to achieve Bliss in this lifetime.Shoulder Stand
To this end, we were required to attend a set of communal spiritual exercises called ‘Satsang’ first thing in the morning and last thing at night. These sessions consisted of half an hour of meditation followed by an hour or more of chanting and prayer.
Far from focusing my mind, I found these sessions arduous and above all rigidly conformist, as like most religious practices, they orbited around the authority of a single person, in this case the Swami, or teacher. As a consequence of this imposition, my mind rebelled. When I tried to follow the directive to meditate, my mind wandered freely to thoughts of Monique, food, family, friends, David Sylvian, The X Files, conversations I had years ago. When I managed to quell these moderately sensible thoughts, nonsensical ones would arise in their place. My favourite was a dog dressed in a military parade uniform that marched past my mind’s eye giving a salute.
I found that the chanting we endured in these sessions served to prepare our minds to receive a set of religious tautologies. Its true that chanting has benefits. It is relaxing. It does focus the mind and it can redirect you from thoughts that you would wish to escape. Yet the chants have such a powerful simplicity that they tend to occlude all thoughts except those which have been sanctioned by the centralised Ashram authority. What’s more the quality of the singing was quite poor, like a dirge sung by the tone deaf.
And as meditation and chanting cleared our minds of external thoughts the Ashram began a steady drip feed of indoctrination. The philosophical kernel of this proselytising ranged from the intellectually rigorous to the ridiculous. By and large the sermons during Satsang were general, vague and patronising. One morning, an apprentice-Swami took the session. She was a painfully withdrawn looking woman, with dark eyes, a tired body and haggard mouth and who spoke with a regional English accent. I imagined that she was the daughter of a Methodist minister who, ‘went off the rails’ and ended up imitating the mores of her parents in saffron garb. And, sure enough, she gave us a pep-talk on abstinence, her eyes periodically flashing a deep malaise.SIVANANDA wall
One evening some days later we were joined in Satsang by a group of three hundred school children who were attending Yoga Camp 2009 at the Ashram. During meditation an intense, mass-hysterical coughing fit broke out among the children during meditation. This sallow woman took the microphone and wagging her finger advised the children, ‘Don’t cough, swallow.’
‘She has sex on the brain,’ I whispered to Monique.
The lectures were somewhat more substantial. In them the Sivanandan philosophy was only revealed partially and gradually, with the parts that are most palatable to idealistic backpackers given emphasis while the more unsettling and bizarre aspects were only slowly revealed.
After ten days, this is what I managed to piece together. At the heart of this Yogic practice is the idea that the world is an illusion, a mire, Samsara, that needs to be transcended through realising this illusory nature, and through this divine knowledge one becomes unified with god. One becomes God in effect.
From my very limited knowledge of Hinduism, this is because the world we perceive—a world characterised by the difference between its parts—is an illusion.
We are all already God, insofar as everything comes from god, but we are completely ensconced in this world of illusion called Samsara. So we need to transcend our worldliness. This can be achieved through meditation, physical exercise, and the performance of one’s duty.
We ought to pursue these acts in such a way that we do not to enjoy their fruits. We must live our lives without becoming passionately attached to the objects or people we encounter while living in the world, and without expecting any kind of reward or gain from the things that we do. The act is performed simply to serve God.
This excludes all forms of love, even those which we might cherish, such as the love of family and the joy in friendship. I became aware that a youngish woman attending the program had recently suffered the loss of her children through an Islamic divorce. I wondered what she would make of such a principle.
Swami SivanandaWhat I particularly dislike about this philosophy is that it degrades the world and the human self. It is a doctrine in which the world is shit, human relations are shit, love and hatred are sensations that create pain and illusion and must therefore be transcended.
I also reject the claim to absolute knowledge made by the practitioners of Sivananda Yoga make. According to the Swami, Yoga is not a religion. It is a ‘subjective Science’. Unlike the objective science which seeks to understand the nature of things through studying objects, this subjective science seeks to understand the nature of things through a set of practices that, through internal observation, are observed to confirm the truth of God.
Following Popper, we would say that if Yoga is a science, then there must be a means through which this so-called experiment can be falsified.
If Yoga permits that it is possible to be mistaken in one’s perception of the world, to imagine it to be real when it is an illusion, then I do not see why it is not possible for one to be mistaken in one’s perception of oneself. In which case, what means would a practitioner of this ‘subjective science’ have to tell the experience of Bliss from the experience of indoctrination?
Yet despite these doubts, I grew increasingly adamant that we should remain for the duration of the course. Looking back, it is hard to relate to this impulse, but then again, the physical yoga at the Sivananda Ashram is incredible. The body opens up like, if you will forgive a terrible metaphor, a lotus flower. As the body is the medium through which we experience the world, this body now experiences the world in new and exciting ways. Its hard to describe if you are not a practitioner, but it feels great.Nexus
Of course, its intentions are not only to tone the bodies of self-obsessed westerners. Each of the twelve basic asanas or postures that we learned are a means of disciplining the body for devotion to god. The butterfly loosens our hips for extended meditation and prayer and in the Salute to the Sun one prostrates oneself again and again in worship of the divine.
In any case, good yoga alone can’t completely explain my compulsion to remain.
About a week into the program, an American arrived, vaguely handsome with curly hair, his eyes seemed in a perpetual state of alarm. He joined us for one yoga class and promptly disappeared.
Why was he so disturbed while I was so relatively relaxed? I am sure you’ve heard about the experiment with a frog and a pot of boiling water. Apparently, if you put the frog near the pot when it is boiling it will immediately jump away. But if you place the frog in the pot of water and slowly raise the temperature until it boils, the frog will remain where it is and die.
We, like the frog in the pot of water, were so gradually ingratiated to the eccentricities of the Ashram that we scarcely noticed the profound shift in our milieux. For this American, however the experience would have been like stepping into another world, or a cult.
Also, I was determined to remain open minded for the duration of our stay and not present the kind of scornful atheism of Richard Dawkins and others. I attended every session, chanted along the names of deities, gave everything to the physical exercise of yoga. But there was a point where open-mindedness reaches its limits and I had to make a choice whether to proceed down the path offered by the Ashram, or violently diverge. ShroudMy mind trembled on this point for a while and in retrospect, the Yoga Vacation might have been a vacation from myself from which I never returned had it not been for one dramatic affair.
During one of our classes, Monique had an attack of vertigo, something which she has experienced before but which occurs so rarely that neither of us anticipated for a moment that it might happen during our time here.
We were practising a set of very intense breathing exercises, the specific nature of which I won’t describe, but which are held to be extremely ‘purifying’ of bad energies as well as of toxins in our lungs.
Monique stopped in the middle of the exercise and rested her head in her hands. One of the junior instructors who was assisting the Swami and compelled her to continue with the exercise.
‘Its part of the process, its your body trying to release the toxins.’
‘I’m having an attack of vertigo’
‘Your cheating yourself by trying to leave and not experiencing this moment.’
This exchange continued for some time, all the while Monique was doing her best not to vomit or faint. Eventually, she began to cry and left the yoga hall with the junior instructor followed behind her. Some moments later the instructor came back inside.
‘Is she okay,’ I asked, at this stage not yet knowing what had happened.
‘The body is releasing its toxins, some people can have a bad experience but its important that you continue with the exercise to get the full benefits. Try to get her to come back inside.’
I stepped outside and was horrified when Monique explained what had taken place. Ambivalence was dispelled and I began to view the Ashram in an ominous light.
It was as though my mind, that disagreeable collective of thoughts, feelings and perceptions, kicked into a self-protective gear. I became actively disdainful towards the Ashram and loudly voiced my scepticism about the Ashram, particularly in ear shot of devotees.
I could not decide if such things were heroism or if I sacrificed some of my dignity in acting in such a self satisfying way. But then I am never as strong as I would like to be.
Ashram takes no responsibilityI began to contemplate whether the Ashram might rightly be called a cult. Firstly, because we were encouraged by the Ashram authorities and through the exercises we pursued to purge ourselves of our individuality. As has been described above, we were directed frequently to pursue our daily activities, physical yoga, Karma yoga, meditation in a way that excluded our egos. We were also told to be wary of our own intellects. Doubt and criticism go against the universalism preached at the Sivananda Ashram, because they are obstacles to unity with God and experiencing reality as it really is
Our movement was restricted in subtle ways. We were unable to leave the Ashram unless we received permission to do so.
If the Sivananda Ashram was acutely a cult, a we would not have been able to leave at all, or we would have been strenuously prevented from doing so. And yet the rigidly ordered day and the subtle indoctrination makes a person less likely to risk banishment from the Ashram by disobeying these ‘voluntary’ restrictions on our movement.
A singularly disturbing part of life at the Ashram was the way in which personal space was obliterated.
Those living in dorms had literally no space of their own.. Monique and I at least had a private room that we shared (although a stone desk was fixed to the floor to separate our single beds to prevent coitus).
Whether one had a private room or not made little difference, as the Ashram day was spent almost exclusively in public settings. I felt very much in the thrall of others when meditating, when practising the yoga postures, when eating. The net effect was that we all became exhausted, that the exercise of individuality became unnecessary, something in excess to that which was necessary to function productively in the life of the Ashram. As Monique articulated, even when we did have an hour or two of spare time, it became difficult, even impossible to decide how we would spend it. We were at a loss to exercise this most basic discrimination, and in its absence yet more work improving the body and purifying the mind became the only attractive proposition.Intensely public lives
At the same time, I was hesitant to succumb to the temptation to label Sivananda as a cult. For just as the Swami claimed an absolute perspective when he spoke of the universal, by labelling Sivananda Ashram a cult, I was also claiming an absolute perspective over the activities and experiences of all of those engaged in spiritual practice there. The word ‘cult’ is a rhetorical device to exclude a spiritual practice from legitimacy by differentiating these practices from ‘legitimate religion’.
It became imperative to me that I uncover some other means to critique what I was learning and experiencing at the Ashram. This quest contained a supreme existential importance. I felt that something fundamental was at stake, that if I could not give expression to my concerns, then some of the ‘mud would stick’, as my friend Andreas put it.
So instead of claiming an absolute perspective, I decided to mount a critique using the set of values I had already acquired before attending the Ashram, without claiming that they possessed some universal significance. I acknowledged that I was sceptical, hostile even, towards authoritarian knowledge structures, ways of thinking that promote power relations that are virtually fixed and immutable, a relation of power-knowledge that approaches what Foucault calls ‘domination’.
I decided that the architecture that made one excessively visible, the regimented schedule, the chanting in unison, the rigidly enforced group meditation, the silent collective meals, the lectures and even the group exercise classes together constituted an authoritarian power structure, something to which for whatever reason I am hostile. You could call it ‘my faith’. On this basis I could extricate my mind and Ego from the week week long bombardment.
I was struck by the parallels between what I was experiencing and some elements of the film The Invasion that Monique and I caught on a hotel’s satellite television a few weeks earlier. If you haven’t seen the film, it is worth seeing, though it is by no means brilliant. Its the second remake of the film Invasion of the Body Snatchers. The original film was about communist indoctrination, the second about 80′s me-generation selfishness. This version film has more subtle ideas in its background. In the film, a virus from space spreads through the world’s population connecting them to a unity and freeing them of passionate attachments.
Nicole Kidman plays a psychoanalyst who tries to resist this universality and who has a sun who possesses a rare immunity to this virus.
When Nicole Kidman’s character asks one of the infected what will become of her son in the new universal human world, she is told that anything that cannot conform with the universal will have to be eliminated. In much the same way, the limits of the so-called universal of Sivananda Ashram are revealed when one looks at which it excludes, namely individuality, worldliness, passion and pleasure. So, in fact, universalism is not universal at all, but a most acute particularism.
Subsequent conversations confirmed that I was not alone in this thinking.
I learned from Rolf (not his real name), a forty-something German man who has been connected to the Ashram for many years, that the Ashram leadership, both past and present, compromised their own ascetic principles
‘Oh yeah, tell me about it, I mean, even these Swamis, they don’t deny themselves anything, I mean even the founders, like Swami Sivananda, he had his own private plane. He had a cheese addiction! He had a big belly out to here,’ he said gesturing with his arms.A life of humility and self-denial
‘Really?’
‘Yeah, oh man there’s so much I could tell you. Excuse me, I need to release some gas,’ he said, taking a few steps away and fanning the air with his arms.
I agree with the Yogic insight that the self is an illusion. But perhaps the self is never more of an illusion when it imagines itself to be autonomous of the world. If we strive to be universal, we begin to pretend, falsely, that we are no longer under the persuasion of the world, of others, of and of knowledge. We fall into the trap of believing that through sheer will we can lift ourselves out of history, out of language, out of politics and out of ideology. Through this hubris we close ourselves off from becoming critical beings in the small, limited way that life affords us.
Is it possible to strive for a perception of the divine that does not occlude reason and doubt, and does not reside in a false and impossible universality? I am talking of a spiritual perception that one obtains from remaining open minded, from seeking, remaining critical, from engaging with the world and from failing our own divine aspirations.
If I am to have a spirituality then this is where its heart will lie.

My Mosquito

May 24th, 2009 | benjamin

For my love, for Monique

my mosquito

Past my ear the sightless buzzing dives like a World War ace.
So near I cannot slap you down,
Shift left, veer right, you dodge my hand with grace.

Please take your tiny fill of me, for I’ve much blood to spare,
Then still your wings and digest.
And with your sudden silence, you judge the deal fair.

Ah! A fool’s bargain I have struck to descend these silent reaches.
Trying not to love you is sleeping under a mosquito net,
Things slip through and now my heart itches.