Archive for February 2009


5 Star Blues

February 15th, 2009 — 1:14am
honeymoonersThe view was of people. the streets oozed with people, vertically stacked, but ignorant of each other on the streets. This view and I, sitting above it, sweating like a capitalist roarder, flustered by the hot-heat of the sauna, which I pushed, and pushed to its limits, considering whether it was pleasurable as I emptied more and more water upon the hot coals.

I questioned, for a dangling moment, the human cost of this jellyfish moment, that is, the moment at which I seem most useless and most transparent.

A man handed me a towel. He would never use these facilities, this I am certain of.I imagined him returning home to his family, perhaps in one of the grimy tenements that I make out in the hazy distance from my hotel, that unsettle me so, looming and seeping a brown misery, like a forest on the move. I imagine  him returning home from his long days taking in the off-shoots of our steam, his forehead seared perpetually a shiny red globe. I see his wife releasing a child from her knee, to run to him across the barren square-footage, grimly decorated, or perhaps with a noble and savage taste, yes, that’s it, grandma’s silken tableau of a pitched battle in ancient Canton, two armies dressed in red and white carrying small pointed flags, charging at one another on horseback, in combat with blades drawn, yes a startling visage to behold when the domestic bustle silences itself for a moment, like a child exhausted from its own crying. Yes this is his life. His child running across this Spartan nook into his arms, he hurtling said child in the air, to screams that ring out like a magpie’s cry, arms splayed like aeroplane wings, and then back down to a more manageable altitude as the loyal wife, a subaltern beauty, thin, with a virtual disastera slightly grey pallor, and dark brownish rings spreading from beneath her eyes to at least as lowas her cheek bones, but with a desirability that shines through in place of cosmetic beauty, yes a simple nobility that yields to his kindness, yes, she inserts herself between her man and child, her longing to be caressed expressed in a shy tipping of the head beneath her shoulders, and rewarded by hands that creep past her waist, as she strokes the hair of their one great hope, their child which they will raise to surpass themselves, to achieve all of the dreams that they had not held until reality gave them substance and intangibility, until reality well and truly made them both possible to hold and conceive but impossible to achieve. Yes, they may very well be the statue by Unknown that adorns the lift of a good many floors of the building.


And then the moment passes and I remember that I’m only here to pleasure myself.


Yes, these ideological fancies serve to palliate the inevitable class guilt, and when they outgrow their welcome in the order of psychic balance, a kind of Buddhist temperance overtakes me. That thing popularly called mindfulness, useful, of course, essential even. And I tell myself to exist in the moment, and the political fades away.

Comment » | travelogue

Embrace by Unknown Artist

February 15th, 2009 — 1:01am

Embrace

Embrace by Unknown Artist.

Elevator  Corridor, Floors 17, 19, 21, 23, 25, 27, 29, 31, Langham Place Hotel, Hong Kong

Having recently begun to adhere to nuptial vows you might imagine that this image appeals to me, with its depiction of domestic bliss in which three figures, mother, father and child adhere to one another like stacked chairs. And you would be right, it did stir in me a kind of urge that might be called reactionary, but which, when we really believe in it, we prefer to understand as deriving of an underlying truth which completely undercuts the political.

But then I look closer, and I see how my longing for intimacy, and potentially also procreation, are being positioned in a certain way. For it is the father that supports both physically and we can assume emotionally, both the mother, and through the mother, the child. The loving embrace of his two arms comes to seem like the jaws of a big fish eating a little fish eating a littler fish. Yes, the most suitable name for the picture would be, of course, patriarchy. For it is the overall faceless authority of the father that makes the tenuous and vulnerable love and even material existence of mother and child possible. It may be, even, an argument for fascism, if we are willing to understand ourselves as both sexual vessels as well as children of the state.

And for this reason I decided that the statue was anatomically unsavoury, not impossible of course, simply ignoring the likelihood that the woman in the centre of the piece would most likely be supporting both the child, in rearing it into subjectivity as well as that of the man, the father, perpetual child, as equally demanding of love and material attention as any helpless bub. Yes, she should be depicted as bearing the weight of both sides, like the beam of a suspension bridge, without whom all would collapse into the formlessness below.

Comment » | art criticism

haiku

February 2nd, 2009 — 10:11am

The temperature rose in our flat, hotter even, than the 40-odd red faced, spherical celciuses that danced around heads, puffing their steaming air all over us and in our direction.

So we escaped to the State Library, an edifice of the state that is disarmingly cool and inviting. Chilly inside, like the personal offices of a South East Asian statesman (for they have internalised colonial myths that connect laziness with humidity and heat).

And I selected a volume of Haiku, printed at the height of the old empire, spilling its pages like so many crisp syllables.

I learned of the history of the form, and found this to be my sultry favourite, very suited to the weather:

Koibito wo Omo-

Okie mitsu
Nete mitsu kaya no
Hirosa kana

Longing for My Sweetheart

I sit up or lie down and yet,
How large is the mosquito-net!
By Ukihashi (a poetess)

Here now are a few that I wrote, so taken by the form was I, that I might have been a 90’s yuppie, clothed in kimono, trimming bonzai, practicing calligraphy, rolling sushi and so forth:

Broken Skin

A peach bursts its skin
And spills out all of its life
Into the fruit bowl.

Starry-eyed

Cold light in my cell.
It burns my eyes, catches dust:
Now planets, now stars.

Glow

Summer’s sun light burns
Now not seeing light that shines
lower than before.

2 comments » | noetry

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